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Remembering Robert Benton and ‘Nobody’s Fool’

Oscar-winning writer-director Robert Benton passed away on May 11, 2025, at his home in Manhattan at the age of 92. What an enviable career he had—art director for Esquire, co-writer of the undisputed classic Bonnie and Clyde, creator of the Best Picture winner Kramer vs. Kramer. I had the privilege of meeting Benton in January…
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James Foley Talks ‘Glengarry Glen Ross’

James Foley died on May 6, 2025, at the age of 71. I had the good fortune to talk with the director in 1992 about one of his highest-profile films, the star-laden adaptation of David Mamet’s play Glengarry Glen Ross. Foley’s post-Glengarry credits included the John Grisham thriller The Chamber, Fifty Shades Darker, Fifty Shades…
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Sean Baker Makes Academy Awards History with Four Oscars in One Night

Sean Baker set an Academy Awards record on Sunday, March 2, 2025, winning four personal Oscars as the writer, director, editor, and part of the producing team of his $6 million comedy-drama Anora. (Only Walt Disney had previously won four Oscars in a night, but for different films.) Throughout awards season Baker had been a…
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Nick Park and Peter Lord’s ‘Chicken Run’ Turns 25

Four-time Academy Award winner Nick Park is back in the Oscar race with Wallace & Gromit: Vengeance Most Fowl, the latest delightful adventure featuring his irresistible stop-motion creations, eccentric inventor Wallace and his melancholy dog Gromit. Co-directed by Park and Merlin Crossingham, this Netflix release is the animated duo’s first screen appearance since the 2008 short A…
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Remembering Visionary Director David Lynch

David Lynch has died at the age of 78. I had the pleasure of meeting the visionary director way back in 1984 to discuss his third feature, the much-maligned adaptation of Frank Herbert’s epic sci-fi novel Dune, which today has its staunch defenders. (I was frankly bored by Denis Villeneuve’s Oscar-nominated 2021 version and find Lynch’s…
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‘Green Border,’ ‘No Other Land’ and ‘Anora’ Are Among 2024’s Best

Thanks to my relatively new perch on the editorial board at Cineaste, I’m getting to see more films a year than ever. (Editing a monthly magazine and website for several decades limited my free time to luxuriate in the three weeks of New York Film Festival press screenings, although I tried to make up for that…
