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John Waters’ ‘Hairspray’ Gets a Shocking PG Rating

I met John Waters at Manhattan’s St. Regis Hotel in 1988 at a high point in his career: the release of his crossover hit Hairspray. While waiting in the lobby, I heard that another celebrity, Lana Turner’s notorious daughter Cheryl Crane (Google her for the sordid details) was staying at the hotel to promote her new…
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Morgan Freeman Directs His First—and Only—Feature Film

Unlike consumer-oriented magazines about the entertainment business, Film Journal generally did not profile movie stars unless they also were aboard a project as a producer or director. So this 1993 interview with one of the most celebrated and enduring contemporary stars focused on a movie few people remember, his one and only feature directing gig, the South…
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James Ivory on ‘Maurice,’ a Landmark of Gay Cinema

During my time at Film Journal, I had the pleasure of meeting and interviewing both director James Ivory and his professional and life partner, producer Ismail Merchant. My 1987 profile of Ivory focused on a landmark in his career—and a landmark in gay cinema, his adaptation of E.M. Forster’s Maurice. Since that time, Ivory has directed 12…
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France’s Cerebral Alain Resnais Just Wants to Entertain

I was at Film Journal for less than eight months when the opportunity arose in early 1984 to interview Alain Resnais, one of the pioneers of the French New Wave. At the time, I felt like Mike Myers in Wayne’s World: I’m not worthy! But this daunting intellectual proved to be warm, welcoming, and surprisingly down-to-earth. I also…
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Face to Face with Liv Ullmann, Icon of Swedish Cinema

Liv Ullmann, icon of Swedish cinema, once sat at my feet—this interview from 1993 will explain why. It was the thrill of a lifetime to meet one of the greatest actors in screen history, on the occasion of her film directing debut. Ullmann went on to direct four more features (including two scripts by her…
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Saul Bass, The Name Behind the Title

Any movie lover can easily name hundreds and hundreds of actors, directors, screenwriters, cinematographers and costume designers. But only a select few title sequence designers have achieved similar recognition. The most celebrated and influential of them all was the late Saul Bass, who began creating iconic opening credits for Otto Preminger in the 1950s and…
